The Inigo House Working uses photographs from a property listing as the base material for a set of generated images in which I appear as a presence inside the house. Using a LoRA trained on my likeness alongside another trained on my paintings, the images render both myself and the architecture slightly altered, as though the house has begun to absorb the painter who imagines living in it.

The work sits within a larger enquiry into image production as intention: making images not only to represent the world but to bend it slightly toward a desired future. Property photography already sells a dream; leaning into this the work turns romance and aspiration itself into a generative process. The house becomes both an image to consume and a place to conjure.